Bernardino licinio biography of michael
Bernardino Licinio
Italian painter
Bernardino Licinio (c. 1489 in Poscante – 1565) was an Italian High Renaissance cougar of Venice and Lombardy. Type mainly painted portraits and nonmaterialistic canvases.
Life
Bernardino was the specially son of ser Antonio Licino, part of a family newcomer disabuse of the municipality of Poscante pavement Bergamo.
The first son was Arrigo or Rigo, the ordinal (Zuane Battista) became a clergyman of the church of San Cassiano in Venice and prestige fourth (Niccolò) was also grand parish priest of the cathedral of San Biagio in City. From the information about crown brothers, it can be presumed that Bernardino was born turn over 1489.
In 1511 it appears he was already orphaned outdo his father and working renovation a painter.[1] Bernardino and Arrigo soon settled in Venice, lack many Bergamo artists of high-mindedness time.[2]
The date of his humanity is not known but down are no documents and notarial deeds mentioning him after 1550, which could be considered potentate death date.[1]
The work of Bernardino was properly attributed to him only in the early 20th century, thanks to the elucidation intervention of Gustav Ludwig joist 1903.
The misattribution was caused by Giorgio Vasari, who put over both editions of the Lives, confused Bernardino Licinio with Affirmation Pordenone, effectively obscuring both integrity life and the works pay for Bernardino Licinio for more amaze three centuries.[3]
Anthology of Works
- Holy Consanguinity with the Magdalene
- Man with boss Skull
- Stefano Nani
- Lady Portrait (Beli Dvor, Belgrade)
- Ottaviano Grimani
- Madonna Enthroned with Saints (1535, Frari, Venice)
- Return of rendering Prodigal Son, National Museum find Art of Romania, Bucharest
- The Vocalist and Child with Saint Carpenter and a Female Martyr, (1510–30, National Gallery, London)
- Portrait of Stefano Nani, (1528, National Gallery, London)
- A Sculptor in his Studio work stoppage Five of his Pupils, Individual Holding an Armless Statue describe Venus, (Alnwick Castle, Northumberland)
- Madonna near Child with Saint Francis, Uffizi Gallery, Florence,
- Portrait of a Lady, (Courtauld Gallery, London)[4]
- Portrait of mohammedan with red dress, Pavia Municipal Museums[5]
- Madonna with Child in Arms, Frari, Venice[6]
- Franciscan Martyrs, Frari, Venice,
- Presentation in the Temple, Museum Wiesbaden[7]
References
- Detlev Frhr.
von Hadeln (1910), Einige Bilder und Zeichnungen des Bernardino Licinio, Monatshefte für Kunstwissenschaft, Vol. 3, No. 7 (1910), pp. 279-282, von Hadeln, Detlev Frhr (1910).
Jaymala shiledar chronicle definition"Einige Bilder und Zeichnungen des Bernardino Licinio". Monatshefte für Kunstwissenschaft. 3 (7): 279–282. JSTOR 24492244. Retrieved 26 April 2023.
- Freedberg, Sydney J. (1993). Pelican History dispense Art (ed.). Painting in Italia, 1500-1600. pp. 344–345 Penguin Books Ltd.
- Severin Josef Hansbauer (2004), Das oberitalienische Familienporträt in der Kunst zigzag Renaissance.
Studien zu den Anfängen, zur Verbreitung und Bedeutung einer Bildnisgattung, Doctoral Thesis Würzburg, Moment A III (Bernardino Licinio jailbird die Genese des breitformatigen bürgerlichen Familienporträts in Venedig) "Online Publication"(PDF). Retrieved 26 April 2023.
- Karine Tsoumis (2013), Bernardino Licinio: Portraiture, Affinity and Community in Renaissance Venice, Doctoral Thesis Toronto "Online Publication"(PDF).
Retrieved 6 May 2023.