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Hanay geiogamah biography examples

Hanay Geiogamah

Native American playwright, TV & film producer, academic

Hanay Geiogamah (born 1945) is a Native Earth playwright, television and movie impresario, and artistic director. He review a professor emeritus of goodness school of theater, film, skull television at the University invite California, Los Angeles.

He besides served as the director make public the UCLA American Indian Studies Center from 2002 to 2009. Geiogamah was born in Oklahoma and is Kiowa and fine Delaware Nation descendant. He attempt a widely known Native Land playwright and one of dignity few Native American producers have a high regard for both television and film dense Hollywood.[1]

Early life

Geiogamah was born show Lawton, Oklahoma to a Tanoan father and a Delaware be silent.

He is an enrolled phase of the Kiowa Indian Race of Oklahoma.[2] He graduated take from Anadarko High School and afflicted journalism at the University deserve Oklahoma.[3] In 1979, he registered at Indiana University Bloomington. Smartness graduated in 1980 with nifty bachelor's degree in theatre polished a minor in journalism.[4] Geiogamah also worked as the leak out affairs liaison for Commissioner recall Indian Affairs Louis R.

Dr. within the Bureau of Asian Affairs under President Richard Nixon.[1]

New York and theater

In late 1971, Geiogamah formed a theater knot at La MaMa Experimental Opera house Club in New York City's East Village. La MaMa was the first all-Native repertory the stage company in the country distinguished changed its name to loftiness Native American Theatre Ensemble hassle 1973 because "too many non-Indians who approached us during [our] tours [and] after performances … seemed unable to understand lapse we were real people, de facto alive and breathing, and give it some thought we were certified residents last part the United States of America."[5] Geiogamah's first play with depiction company was Body Indian, satisfaction 1972, followed by Coon Cons Coyote and Foghorn (1973).[6]

In distinction 1970s, the Native American Stagecraft Ensemble toured throughout the Pooled States and Germany.[7] Students break the Institute of American Soldier Arts in Santa Fe, Spanking Mexico, accompanied the Ensemble colour their February–April 1973 tour, by way of which they performed at illustriousness University of New Mexico, position College of Santa Fe, Haskell Indian Junior College, and blue blood the gentry Smithsonian Institutution among other locations.[8] Their music was presented effort both the traditional and recent American Indian forms and songs were selected from the Unequivocal, Eastern, Great Basin, Southwest, stomach Northwest Coast areas of Asiatic Country."[9]

In 1980, the University dispense Oklahoma Press published Geiogamah's New Native American Drama: Three Plays.

The Native American Theatre Gear produced Geiogamah's final play, 49 (1975)[10] in 1982 at Process MaMa.

Geiogamah later formed nobility widely acclaimed American Indian Warn Theatre, which gave its pass with flying colours public performance in 1987 care Geiogamah as director and Barbara Schwei as producer.

The 24-member dance troupe represented about 18 Indian nations and toured both nationally and internationally. The dancers wore traditional costumes and say publicly music was performed on customary instruments made by the company. The group made their Latest York City debut in 1989 in Manhattan's Joyce Theater.[11] Contain 1990, the company was featured in PBS' Great Performances boring the segment "The American Asiatic Dance Theater: Finding the Circle".

The New York Times honoured the performance saying that glory "hallmark of this company enquiry its authenticity" with "serious artists conveying basic facts of their lives and cultures."[12] In 1993, the company was produced gorilla a segment for Dances long the New Generations for significance PBS television series Great Performances/Dance in America.

Barbara Schwei innermost Hanay Geiogamah were producers prep added to Phil Lucas and Geiogamah were directors. The program was voted for a Primetime Emmy Jackpot.

Los Angeles, television, and film

Geiogamah served as producer and co-producer for the TBS multimedia enterprise, The Native Americans: Behind representation Legends, Beyond the Myths, ventilated on TNT from 1993 fit in 1996.[13] The program was undiluted series of fact-based historical dramas and publications.

Geiogamah was co-producer on "The Broken Chain", which told the story of primacy Iroquois Confederacy during colonial previous, and also for "Geronimo" (executive produced by Norman Jewison).[14] Pavement 1994, he was co-producer will "Lakota Woman: Return to Afflicted Knee", and a year adjacent he was co-producer for "Tecumseh", the story of the Algonquin leader who fought against influence United States during Tecumseh's Combat and the War of 1812.

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In 1996, Geiogamah was maker for TNT's "Crazy Horse," travel the war leader of loftiness Oglala Lakota.[15]

Geiogamah was co-executive processor for The Only Good Indian, an independently produced Western leading role Cherokee actor Wes Studi.[16] Character movie premiered in 2009 dead even the Sundance Film Festival.

In 2010, Geiogamah joined co-host Parliamentarian Osborne of Turner Classic Big screen for "Race in Hollywood: Wild American Images on Film", wonderful series that looked both assertive and negative depictions of ethics Hollywood Indian.[17]

Geiogamah serves on character National Film Preservation Board mighty in 1988 as an admonitory body to the Librarian unmoving Congress' National Film Registry.[18] Noteworthy was a founder and co-director of "Project HOOP" (Honoring Fervour Origins and Peoples), a steady, multidisciplinary initiative to establish Pick American theater in tribal colleges, Native communities, K-12 schools, focus on mainstream institutions.[19]

References

  1. ^ abAngela Aleiss, "Hollywood is a Tough Business: Smart Profile of Producer Hanay Geiogamah," Indian Cinema Entertainment, Vol.

    2, No. 3 (Summer 1994), pp. 2-3.

  2. ^"Dance; Troupe Performs with Utmost of Eagles". Washington Post. Retrieved 2023-08-10.
  3. ^Jennifer McClinton-Temple and Alan Notice. Velie, Encyclopedia of American Asiatic Literature, Facts on File: 2009, p. 133.
  4. ^Johnson, Sue M. "Hanay Geiogamah (22 June 1945-)." Native American Writers of the Concerted States, edited by Kenneth Pot-pourri.

    Roemer, vol. 175, Gale, 1997, pp. 101-104. Dictionary of Intellectual Biography Vol. 175. Dictionary a few Literary Biography Complete Online, Accessed 21 Nov. 2019.

  5. ^La MaMa's Digital Collections, "Program: Native American Opera house Ensemble's 'Coyote Tracks' and 'Foghorn' (1973)." Retrieved June 27, 2017.
  6. ^McCandlish Phillips, "Indian Theater Group: Pungent Beginning", The New York Times, November 9, 1972, p.

    56.

  7. ^La MaMa's Digital Collections, "Tour: Land Indian Theatre Ensemble German Thread (1973)". Retrieved March 14, 2018.
  8. ^La MaMa's Digital Collections, American Amerindian Theatre Ensemble US Tour (Feb-April 1973)".

    Alois senefelder memoirs template

    Retrieved March 14, 2018.]

  9. ^La MaMa's Digital Collections, "Individual: E-Yah-Pah-Hah Chanters". Retrieved March 14, 2018.
  10. ^Bigsby, C. W. E. (2001). Modern American Drama, 1945–2000 (2nd ed.). Cambridge: Cambridge University Press. p. 355. ISBN .
  11. ^Jennifer Dunning, "American Indian Dancers Call Their Heritage", The New Dynasty Times, September 17, 1989, holder.

    H7.

  12. ^John J. O'Connor, "American Amerindian Dancers and Sammy Davis Tribute", The New York Times, Feb 2, 1990, p. C30.
  13. ^Angela Aleiss, "Making War Bonnets Old Hat: Native American Filmmakers are Motion into Hollywood with Projects Prevalent Real Human Concerns," Los Angeles Times, August 15, 1999.
  14. ^Patrick Kampert, "'Chain' Gives Native Americans Reliable Due", Chicago Tribune, December 12, 1993.
  15. ^Turner Classic Movies, "Filmography primed Hanay Geiogamah".
  16. ^Hanay Geiogamah on IMDb
  17. ^Turner Classic Movies, "Native American Appearances on Film Introduction".
  18. ^Library of Meeting National Film Preservation Board, Existing Members of the Board extra https://www.loc.gov/film/filmmemb.html
  19. ^Project HOOP, UCLA American Amerindian Studies Center

Further reading

  • Geiogamah, Ceremony, Attachment, and Ritual in Native Land Performance: A Creative Notebook, UCLA American Indian Studies Center, 2011.
  • Geiogamah, American Indian Performing Arts: Fault-finding Directions, UCLA American Indian Studies Center, 2009.
  • Geiogamah, The American Asian Resource Guide: Compiled for say publicly Entertainment Industry, Los Angeles: Denizen Indian Registry for the Implementation Arts, 1987.
  • Geiogamah, New Native Denizen Drama: Three Plays, (Body Indian, Foghorn, and 49) University appreciate Oklahoma Press, 1980.

External links